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Links
to Edmund Snow Carpenter on the World Wide Web
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Papua
New Guinea Portraits 1969
Adelaide de Menil, photographer
John
Bishop's site featuring photographs taken by Adelaide de Menil.
From the
website: "In 1969, Edmund Carpenter and Adelaide de Menil
travelled extensively in Papua New Guinea researching the effects
of media on that emerging nation. As part of a film about Edmund
Carpenter, I am currently editing her film footage from the expedition.
I was struck by the beauty and humanity of these portraits."
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Biography
of Carl Schuster on Tribalarts.com
by Edmund Carpenter
From
the article: "The unparalleled scholarship I found in these
files exists nowhere else in the world. Forget most existing literature.
Forget the American preoccupation with political agendas. Forget
Jungian nonsense, psychological explanations, art critics' metaphors,
and anthropologists' fears of "far-flung comparisons."
An examination of Schuster's work takes one into a mind that bypasses
academic conventions but whose thought is rooted in empirical
evidence."
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A
High Arctic Settlement On Zhokov Island, Russian Siberia
by Edmund Carpenter
Abstract
of Carpenter's presentation at the University of Pennsylvania's
conference on Structure and Meaning in Human Settlements, October
19-21, 2000.
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Edmund
Carpenter (Became What He Beheld)
by Marshall Soules
From
the website: "Carpenter studied the dream of humanity, humanity's
dreaming about itself. Like McLuhan, he had a great respect for
the way media communicates to the unconscious mind. To speak to
that mind we must use the rhetoric of the dream to circumvent
the illusions of the conscious mind ... "
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Edmund
Carpenter - short biography
From the
IWF Origins of Visual Anthropology website:
"Edmund
Carpenter (PhD U Penn 50) explored, by chance, the anthropology
of visual media, beginning in the late 1940s. To supplement his
U of Toronto salary, he undertook a CBC-Radio series, then, beginning
in 1950, a CBC-TV series, at the same time free-lancing in print.
It soon became apparent that certain media favored certain ideas.
..."
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A
Brief History of Anthropology at the University of Toronto
From
the website: "The years 1944 to 1948 brought Ray Birdwhistell,
G. Gordon Brown, and Edmund S. Carpenter to the department. Carpenter,
an extremely popular lecturer, was a collaborator of Marshall
McLuhan, with whom he co-edited Explorations in Communication.
Carpenter's work focussed on social symbolism in ancient &
non-Western art as well as modern mass media, and his publications,
such as a book on the Canadian Arctic, sometimes involved collaboration
with famous artists, including Frederick Varley."
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Containers,
Computers, and the Media Ecology of the City
by Lance Strate
From
the paper: "Innis in turn laid the foundation for what is
sometimes known as the Toronto School, whose "membership"
includes Marshall McLuhan, Eric Havelock, and Edmund Carpenter.
Insofar as "Toronto School" refers to a pattern of influence
rather than strict geographical location, membership is also extended
to Walter Ong, Jack Goody, and a number of other scholars ...
"
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Tribal
Dreams (review of Patterns That Connect)
written by Philip Marchand (author of Marshall McLuhan:
The Medium and the Messenger)
for the Toronto Star, Arts section, Saturday, March 22, 1997.
From
the article: "In the 1950s, as a young anthropologist at
the University of Toronto who had done a lot of field work among
the Inuit, he was the sidekick of an English professor named Marshall
McLuhan. They were quite a pair - as far as their more conventional
colleagues were concerned, they constituted a two-man leper colony.
McLuhan was always outraging his fellow faculty members with his
alarming vitality, his free-wheeling speculations, his disdain
for academic protocol. And Carpenter practically went out of his
way to irritate and insult his colleagues. ... Both men were consummate
lecture room performers. Students either loved or hated them.
During one graphic Edmund Carpenter lecture on Polynesian sexual
mores- this in the '50s, mind you - a female student left in disgust.
Carpenter called out after her, "You don't have to rush,
my dear, the boat doesn't leave for two days.""
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Media
Ecology 101 -- An Introductory Reading List
Prepared by
Lance Strate
Carpenter's
Phantom gets on the list at #17: "Another representative
of the Toronto School, Carpenter was an early colleague and collaborator
with Marshall McLuhan. As an anthropologist, he contributes a
key comparative approach to the study of communication and perception
across cultures in this 1974 publication."
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symbolism.org
John Fraim,
The Greathouse Company
Great
site with masses of content centering on the symbolism in popular
culture. The voice of Edmund Carpenter can be heard in the background
of much of the work on this site. In an article titled, "The
Medium of the Messenger" Fraim comments on Carpenter directly:
"Another close friend and collaborator of McLuhan in Toronto
of the 50s was Edmund "Ted" Carpenter. In his short
enlightening McLuhan memoir "That Not-So-Silent Sea"
in the Appendix of Thealls book, Edmund Carpenter remembers
Toronto as a "depressing" place, "not a joyous
place at all." It had a meanness which was visible everywhere
- in its architecture, its food. McLuhan once described it to
Carpenter as the "cringing, flunkey spirit of Canadian culture"
and "its servant quarter snobbishness."
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THE
UBIS DICTIONARY OF CHANGE
SOLITUDE,
SOCIETY, REVOLUTION, NATURE, LOGIC AND LOVE
Click on
"Perception" on the left: "The anthropologist Edmund
Carpenter believes that we live in a sensory environment totally
different from that of pre-literate man, simply because we have
learned to read. He says that in "shifting from speech to
writing, man gave up an ear for an eye, and transferred his interest
from spiritual to spatial, from reverential to referential."
...
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Visual
Anthropology
by Joseph
Flaherty, April 1972
From the Afterimage
25th Anniversary Issue
From the
article: "Edmund Carpenter was the one person to bring this
point into perspective when he said, "Some cultures believe
that to have your picture taken is to have your soul stolen by
the camera. Well, that's true." He spoke of the creation
of an entirely new environment, of ancient rituals being scrapped
after they had been filmed, and of people recognizing each other
not by their faces but by the Polaroid pictures in their headdresses
... "
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A tremendous
collection of on-line resources related to Visual Anthropology.
Now featuring "Virtual Snow" in the Spotlight.
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If
there is a link not listed here that you think should be, please e-mail
Michael Wesch
- *wesch@virginia.edu*
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